Exhibitions

Contemporary Art

Breaking the Law

A contemporary art exhibition at the Old Stone House & Washington Park

Exhibition Dates: June 18 – September 7, 2026
Opening Reception: June 25, 6-8pm
Additional public programs TBA

Curatorial Team:
Katherine Gressel, Bianca Mońa, Jennifer Wingate, Dylan Yeats

Exhibiting Artists:
Chinatown Art Brigade, Daniel Bejar, Mildred Beltre, Meena HasanIntelligent Mischief, Tom Keough, Graham MacIndoe & Susan StellinKatrina Majkut, Jeremiah Ojo, Julie Peppito, Megan Piontkowski, Jenny Polak, Rowan Renee, Margaret Roleke, Diana Schmertz

Breaking the Law at the Old Stone House & Washington Park (OSH) will consider the role of artists in both exposing, and responding to, unjust laws or interpretations of laws, including encouraging and honoring acts of protest and civil disobedience as well as acts of community building and repair.

Come back for the Virtual Tour Page.

Please refer to the Open Hours listed on Eventbrite for up-to-date visiting hours.

Permanent Exhibition

The Old Stone House: Witness to War

An Exhibit Exploring Conflict from Kieft’s War through the Battle of Brooklyn and the Occupation, 1643-1783

Old Stone House: Witness to War is a self-directed exhibit that takes visitors on a journey from the Lenape village of Marechkawick through Dutch colonization and the Revolutionary War era in Brooklyn.  Ten themed areas allow visitors to explore this history and consider how war and displacement impacted the community, what choices people had to make at the time, battle strategies, and what makes these issues relevant in today’s world.


Historians

Patricia Bonomi
Edwin Burrows
Barnet Schecter
Dylan Yeats

Content Development

Ellen Snyder Grenier
Janet Rassweiler
Dylan Yeats

Exhibit Designers & Fabricators

May & Watkins

Interactives

Moey Inc.
Panoramic Studios

Past Exhibition Archive

Albums of Inclusion: Jamaica, Ecuador, China

On View: May 8, 2026 – June 14, 2026

Come back for the Virtual Tour Page.

BROKEN CHINA  (Tao Leigh Goffe × Cecile Chong)

Katherine Gressel, Curator

Lean In: A Small Quilt Show

On View: March 13, 2026 – April 26, 2026

Curated by El Lang, Co-Curated by Lea Cawthorne

Come back for the Virtual Tour Page.

Featured Image by Ruth Marchese.

Echoes of Home

The AnkhLave International Artist Exchange: Kenya Edition

On View: February 27, 2026 – March 8, 2026

Curated by Dario Mohr

Come back for the Virtual Tour Page.

Featured Image by Garry Grant.

Living

On View: January 23, 2026 – February 23, 2026 

Curated by Dario Mohr. Presented on behalf of AnkhLave Arts Alliance.

Visit the Virtual Tour Page for more information.

Featured Image by Hong Wu.

Rooted Resistance: Art, Care, and Environmental Activism

On View: October 16, 2025 – January 11, 2026 

Curated by Allison Belolan, Katherine Gressel, Caroline McAuliffe, and Jocelyn Russell of the Mother Creatrix Collective

Visit the Virtual Tour page for more information.

Featured Image by Jacq Groves.

Nothing is Fixed

On View: August 9, 2025 – October 12, 2025

Curated by Jeremy Dennis

Visit the Virtual Tour Page for more information.

Featured Image by Debmalya Ray Choudhuri.

Things Fall Apart: Meena Hasan at the Old Stone House

On View: May 2, 2025 – July 6, 2025

In collaboration with Dylan Yeats and Imran Khan

Visit the virtual tour page for more information.

Featured Image by Meena Hasan

America the Beautiful

On View: February 27, 2025 – April 27, 2025

Curated by: Manju Shandler

Visit the virtual tour page for more information.

Featured Image by Demarcus McGaughey

A Body of Work:

The Artist’s Prep

On View: January 15, 2025 – February 11, 2025

Organized by: Alba Acevedo, Thomas Anderson, Ellen Lutter & Tiff Ziter

Learn more about monthly Life Drawing at Old Stone House.

Little Lace

The Work of the Brooklyn Lace Guild

On View: October 10, 2024 – January 11, 2025

Visit the virtual tour page for more information

Featured image by Layla Klinger

State of the Nation

A BIPOC Artist Perspective

On View: August 18, 2024 – October 6, 2024

Curated by Jeremy Dennis

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Featured image by T. Willie Raney

Angelic Troublemakers,

Tactical Deviants

A Solo Exhibition by David Rios Ferreira

On View: May 16, 2024 – July 7, 2024

Curated by Katherine Gressel

Visit the virtual tour page for more information.

Featured image by David Rios Ferreira

MAMA NEEDS A RAISE! Toward a “Utopian”Care Economy

On View: March 24, 2024 – May 12, 2024

Curated by Katherine Gressel of the Old Stone House and Shweta Bist, Kim Hopson and Jocelyn Russell of the Mother Creatrix Collective.

Visit the virtual tour page for more information.

Featured image by Shweta Bist.

Andrew Hornberger: Revealed

On View: January 19, 2024 – March 3, 2024.

Featured image by Andrew Hornberger.


Andrew Hornberger is a working artist. He has been part of the Park Slope community as the visual art teacher at MS 51 for the past 24 years. His career includes recognition as the top winner of the Scholastic Art Awards in New York State; his students have won three National Gold Medals and two National Silver Medals. He has had numerous students selected for PS Art, The Brooklyn Arts Festival and ArtsConnection. Andrew has also worked with NYU and The Metropolitan Opera Guild as the Center for Arts Education Grant Manager. He is responsible for the creation and installation of the student artwork banners on the façade of MS 51 and has worked with the Park Slope Fifth Avenue Business Improvement District to create lamp post banners.

Andrew is a founding member and former president of the Long Beach New York Arts Council. He has participated in exhibits in New York, Chicago and Philadelphia. He received a Dean’s Grant from Nippon Steel, graduate grants from SAIC, a critics recommendation to the Vermont Studio School and the Yale Norfolk School of Art, and has served as an adjunct professor and a panel critic. Andrew has a BFA from Tyler School of Art. He studied at The Glasgow School of Art and earned his MFA from the School of the Art Institute of Chicago.

Picturing the Constitution

On View: October 20, 2023 – January 14, 2024.

Curated by Katherine Gressel.

Visit the virtual tour page for more information.

Featured image by Morgan O’Hara.

Family Ties

On View: August 14 – October 9, 2023 see our calendar for visit hours.

Curated by Jeremy Dennis

Visit the virtual tour page for more information.

Featured image by Jamie John.

Mother Nature/Human Nurture

On View: April 27, 2023 – June 26, 2023

Visit the virtual tour page for more information.

Featured image by Dara Oshin.

Finding My Folk

On View: March 3 – April 10, 2023

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Belonging

A Textile Arts Exhibition with Kimberly Bush, Stephanie Eche, and Traci Johnson

Opening Reception October 13, 2022

View the virtual tour page for more information

Temple of Acacia

A solo exhibition by Dario Mohr

On view: August 21 – September 30, 2022

View the virtual tour page for more information.

Brooklyn Utopias: Along the Canal

On view: April 10 – June 26, 2022

View the virtual tour page for more information.

Struggling Toward A Better World: Bev Grant Photography 1968-1972

On View: February 13 – March 27, 2022

Read about this exhibit here.

Descendants

Artwork by Dianne Hebbert

On view: October 16, 2021 – January 30, 2022

View the virtual tour page for more information.

Land Markings

Artwork by Dennis RedMoon Darkeem, Jeremy Dennis, Ella Mahoney, & Natasha Smoke Santiago

On view: August 22, 2021 – October 11, 2021

View the virtual tour page for more information.

Nature Contained

Artwork by Jessica Dalrymple, K. Haskell, & Suzy Kopf

On view: May 15, 2021 – June 25, 2021

View the virtual tour page for more information.

Sun Seekers

Artwork by Amy Khoshbin & Jennifer Khoshbin

On View: April 17, 2021 – May 10, 2021.

View the virtual tour page for more information.

Against Doom TV (Fall 2020-Winter 2021)

A project by Amy Khoshbin & Macon Reed

October 25, 2020 – January 31, 2021. Gallery hours by appointment Friday-Sunday, Noon – 3 pm. 

View a virtual tour of the Exhibition.

Stay tuned for events planned throughout the run of the Exhibition.

Against Doom TV is an interactive variety show bringing together artists, organizers, and candidates to make dismantling harmful systems and imagining the future we want more fun and radical. Artists Amy Khoshbin and Macon Reed explore the potential of collaborative performative and video practices to promote both activism and healing during this tumultuous time leading up to and in the aftermath of the 2020 election. Flipping the script on the drudgery of online platforms and passive TV watching, they tap into the history of artists using the absurd and play.

In the first episode, “Against DOOM TV: Abolitionism + Electoral Politics,” the artists tackle abolition and electoral politics as harm reduction. What does abolition mean? How can we use art, direct action, and policy making to create a world without prisons, punishment, and other forms of control? And how do we use abolitionist art making and direct action to bring people to the polls and help us envision a world beyond the current electoral systems? Speaking with a City Council candidate and abolitionist organizers, Khoshbin and Reed uncover answers with a live online audience through interviews, dating shows and more. Additional virtual and outdoor programming will respond to the outcome of the November 3 election and to Inauguration Day in January, with the goal of an ongoing series.

The exhibition includes video, sets and objects from the TV episode; and related artworks, including outdoor banners. Through these works both artists investigate corporate control, American idealism, and constructed ideas of success. They sometimes meditate on death to call for more active engagement with the present and a rejection of past mythologies.

About the Artists:

Macon Reed is a queer multidisciplinary artist who creates objects that are activated through performance and public participation, creating rituals and discourse around social and political issues. Her work is guided by a set of central concerns around power, collective consciousness and belonging, providing an inclusive platform for exchange. Using simple and accessible materials, working with a consistent palette of unapologetically bright colors, which allow the inconsistencies of her hand to show. Her work has been exhibited in New York at venues such as PULSE NYC Special Projects, BRIC Media Arts, ABC No Rio, and Abrons Art Center. Nationally, at San Francisco Museum of Craft and Design, Museum of Contemporary Art (Chicago), and Every Woman Biennial (Los Angeles). Internationally, at Transmediale Vorspiel (Berlin), La Patinoire Royale (Brussels), Five Years Gallery (London), Athens Museum of Queer Arts (Greece), Palazzina Liberty (Bologna), and Royal Academy of Arts Schools (London), and the University of New South Wales Gallery (Sydney). Reed completed her MFA at the University of Illinois at Chicago as a University Fellow in 2013 and received her BFA from Virginia Commonwealth University in 2007. She has completed many residencies and fellowship programs including at the Royal Academy of Arts (London), Eyebeam Center for Art+Technology, A.I.R. gallery, Amherst College, and Skowhegan School of Painting and Sculpture. Her work has received mention in The New York Times, Hyperallergic, Artnet News, Huffington Post, ArtFCity, The Washington Post, The Village Voice, BK Reader, The Gothamist, Art F City, Huffington Post, Arte TV France, and Arte TV Germany, among others.

Amy Khoshbin is an Iranian-American Brooklyn-based artist, activist, and educator. Her practice, as an artist and pedagogue, builds bridges between disparate communities to counteract fear with a collective sense of empowered radical acceptance. She pushes the formal and conceptual boundaries of artmaking to foster progressive social change through performance, social practice, video, rap music, installation, tattooing, teaching and writing. She has shown at venues such as The Whitney Museum of American Art The Solomon R. Guggenheim Museum, Times Square Arts, Artpace, The High Line, Socrates Sculpture Park, VOLTA Art Fair, Leila Heller Gallery, Arsenal Contemporary, National Sawdust, BRIC Arts, and festivals such as River to River and South by Southwest. She has received residencies at spaces such as The Watermill Center, Lower Manhattan Cultural Council, Project for Empty Space, Anderson Ranch, and Banff Centre for the Arts. She has received a Franklin Furnace Fund and a Rema Hort Mann Artist Community Engagement Grant. Khoshbin received an MA from New York University in Tisch School of the Arts and a BA in Film and Media Studies at University of Texas at Austin. She has collaborated with Laurie Anderson, Karen Finley, House of Trees, Tina Barney, and poets Anne Carson and Bob Currie among others.

About the Curator: Katherine Gressel, the Old Stone House & Washington Park’s Contemporary Art Curator, is a New York‐based curator, artist, and writer focused on site‐specific art. She earned her BA in art from Yale and MA in arts administration from Columbia. Katherine’s previous exhibits dealing with such topics as income inequality, urban agriculture, and parks have been recognized by the New York Times, Time Out New York, Hyperallergic, News 12 Brooklyn, and DNAInfo. In addition to organizing eleven major exhibitions to date at the Old Stone House, Katherine has curated for FIGMENT, No Longer Empty, St. Francis College, and Brooklyn Historical Society, and was the 2016 NARS Foundation emerging curator.  She was selected for the 2015 Independent Curators International (ICI) Curatorial Intensive in New Orleans. Katherine has written and presented on public and community art issues for Createquity, Americans for the Arts, and Public Art Dialogue, among others. Katherine also served as Programs Manager at Smack Mellon Gallery from 2010-2014, and has worked and consulted for diverse nonprofits.

Against Doom TV is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, The Shelley & Donald Rubin Foundation, and the New York City Department of Cultural Affairs. 

Brooklyn Utopias: 2020 (Summer 2020)

Online exhibition launches August 20. Opening reception on Instagram Live @oldstonehousebklyn August 20 6 pm.  Gallery hours by appointment; please call 718-768-3195 Friday-Sunday, Noon – 3 pm.

We hope you will join us for our free public events hosted by participating artists. 

Utopia: An ideal place or state, usually imaginary; any visionary system of political, social, environmental, or moral perfection

Brooklyn Utopias: 2020 addresses Brooklyn’s past, present and future by inviting artists to consider differing visions of an ideal Brooklyn. Participating artists also explore how Brooklyn has continued to change over the past decade, and if/how it can serve as a model for urban and American living on a national scale as we navigate a global pandemic in a time of unprecedented social, political and environmental turmoil. Brooklyn Utopias also implies the possibilities (or limitations) of art in creating a better world.

In 2020, in the midst of a tense national election season, COVID-19 and the Black Lives Matter protests sparked by the killing of George Floyd and others have brought heightened attention and urgency to the need to address Brooklyn’s persistent socioeconomic and racial inequities. Brooklyn Utopias: 2020 responds to our current moment with artworks that implicitly or explicitly suggest that a Brooklyn Utopia, especially in the COVID era, must involve not only a safe, healthy and affordable physical environment that nurtures the borough’s diverse communities and landmarks. It also demands a greater collective spirit and the rejection of “unhealthy levels of independence,” in the words of artist Jody Wood, who has created a virtual Independence Treatment Center to mitigate this condition. Diane Exavier’s Every Body Remains a Miracle installation and book-making workshop asks, “How do we care for our neighbors when the amenities of new construction seduce tenants into exceedingly more private life?” (and when those with the means may choose to abandon Brooklyn for suburban and rural alternatives?)

Together, these and other artworks investigate complex topics such as gentrification and environmental justice and experiment with creative ways to engage with and care for local communities, even with current social distancing measures. Many of the projects include online or outdoor components that can be experienced by a wide audience. We invite the public to submit photos of their own Brooklyn Utopias with the hashtag #BrooklynUtopias2020 and by tagging @oldstonehousebklyn. Visit our online exhibition to learn more about the artists and events.

Brooklyn Utopias: 2020 corresponds with the 10-year anniversary of the original Brooklyn Utopias? exhibitions series developed by curator Katherine Gressel and presented at both OSH and Brooklyn Historical Society in 2009-2010.

Participating Artists: Asha Boston, Elan CadizFontaine Capel, Nate Dorr and Nathan Kensinger, Diane ExavierTamara GayerAmir Hariri, Human Impacts Institute, Anna Lise JensenDavid KutzRobin Michals and Lynn NeumanJan MunIviva OlenickRochelle ShicoffJody WoodEzra WubeBetty Yu.

Artist Selection Committee: Heather Bhandari, independent curator and co-founder of the Remix Project and the Art World Conference; Desiree Gordon, Director of Programs and Strategy, Brooklyn Arts Council; Katherine Gressel, Contemporary Curator, Old Stone House & Washington Park; Kim Maier, Executive Director, Old Stone House & Washington Park; Maggie Weber, Director of Education, Old Stone House & Washington Park; and Harry Weil, Director of Public Programs & Special Projects, Green-Wood.

About the Curator: Katherine Gressel, the Old Stone House & Washington Park’s Contemporary Art Curator, is a New York‐based curator, artist, and writer focused on site‐specific art. She earned her BA in art from Yale and MA in arts administration from Columbia. Katherine’s previous exhibits dealing with such topics as income inequality, urban agriculture, and parks have been recognized by the New York Times, Time Out New York, Hyperallergic, News 12 Brooklyn, and DNAInfo. In addition to organizing eleven major exhibitions to date at the Old Stone House, Katherine has curated for FIGMENT, No Longer Empty, St. Francis College, and Brooklyn Historical Society, and was the 2016 NARS Foundation emerging curator.  She was selected for the 2015 Independent Curators International (ICI) Curatorial Intensive in New Orleans. Katherine has written and presented on public and community art issues for Createquity, Americans for the Arts, and Public Art Dialogue, among others. Katherine also served as Programs Manager at Smack Mellon Gallery from 2010-2014, and has worked and consulted for diverse nonprofits.

Brooklyn Utopias: 2020 is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, The Shelley & Donald Rubin Foundation, and the New York City Department of Cultural Affairs. Image credit: Ezra Wube.

Online Project, Digital Programming, & Future Gallery Exhibition

Regeneration in Place

Projects by the Environmental Performance Agency (EPA) & Gowanus Swim Society (GSS)

Online Project & Digital Programming Launches April, 2020

Gowanus Swim Society Exhibit Component Postponed to 2021

Regeneration in Place is the Old Stone House & Washington Park (OSH)’s newest contemporary art programming, featuring the artist collectives Environmental Performance Agency (EPA) and Gowanus Swim Society (GSS). Originally scheduled for Spring 2020, the format for the exhibition has shifted in response to the COVID-19 pandemic and the consequent mandated social distancing. We are pleased to announce the launch of the participatory online project by the EPA, as well as a series of digital programs with GSS. Our exhibition component Nature Contained with Gowanus Swim Society will be postponed to 2021.

Each artist group encourages deeper engagement with specific places that support plant life, from the Old Stone House garden to our own windows and backyards, to catalyze individual and collective rejuvenation. The term Regeneration suggests repairing what is lost or damaged, or a process of renewal and growth in organisms or ecosystems that makes them resilient to both natural cycles and events that cause disturbances.  In the midst of a global pandemic, national election, and climate crisis that all threaten to permanently change life as we know it, these artists aim to help us find solace in the cyclical beauty of nature and look critically at our relationships with our environment and each other. We hope this perspective can inform our observance of Earth Day on April 22 as we continue to shelter in place. Regeneration in Place is curated by Katherine Gressel. 

Online Project & Digital Programming:

Click here to participate in the Multispecies Care Survey, an interactive feature project by EPA.

GSS artist Jessica Dalrymple will host a virtual Botanical Drink ‘n’ Draw on Friday, April 24 at 7 pm on Zoom. Click here to register.

GSS members Suzy Kopf and Mary Negro will host a virtual workshop for artists based on their article “Put Your Anxious Energy to Work for You: 9 Art Admin Tasks You Can Do Right Now” , on Saturday, April 25 at 1 pm on Zoom. Click here for full details and Zoom information. 

Over the next two months, EPA members will host online Multispecies Community Care Circles, dates TBD.

More programming to be announced.  

About Nature Contained & Gowanus Swim Society:

For their future exhibition at OSH, Nature Contained, Gowanus Swim Society member artists K. Haskell, Suzy Kopf and Jessica Dalrymple respond to growth and death in the Old Stone House garden.  Inspired by visits the artists made to the garden in summer and fall of 2019, a series of new mixed media pieces represent the artists’ first time merging their signature styles together to make a body of work. They ask viewers to contemplate all aspects of the flora of an urban garden, including the high season of full color and bloom as well as the low season where the potential for rebirth resides below ground. In high contrast to the surrounding neighborhood, OSH and its grounds harken back to an older Brooklyn where people subsisted, at least in part, on food they could grow and forage themselves. During this time of social distancing, the public can experience in-progress images of the new work online, and virtual workshops with the artists. 

About Multispecies Care Survey & The Environmental Performance Agency: 

The Multispecies Care Survey was created by EPA members Catherine Grau, Christopher Kennedy, Andrea Haenggi, Ellie Irons. The survey is a public engagement and data gathering initiative meant to provoke and articulate forms of environmental agency that de-center human supremacy and facilitate the co-generation of embodied, localized plant-human care practices. This continues the EPA’s work in response to the dismantling of the U.S. Environmental Protection Agency under the 2016-2020 presidential administration. With this project, the collective asks for public input: In a time of pandemic crisis, how do we re-value what care means for all living beings?  An online survey and series of protocols, as well as facilitated Multispecies Community Care Circles (online and, when possible, in person), will integrate the need for social distancing with the encouragement of new discoveries, connections and understanding of diverse nonhuman life along the margins. With the data gathered through this survey, EPA will ultimately work towards drafting a new piece of policy, The Multispecies Act. This Act aims to offer a set of embodied, actionable principles for centering spontaneous urban plant life as one means (among many) of contending with the failure of our environmental regulatory apparatus to deliver policy that protects and values life both human and non-human.

About the Curator:

Katherine Gressel, the Old Stone House & Washington Park’s Contemporary Art Curator, is a New York‐based curator, artist, and writer focused on site‐specific art. She earned her BA in art from Yale and MA in arts administration from Columbia. Katherine’s previous exhibits dealing with such topics as income inequality, urban agriculture, and parks have been recognized by the New York Times, Time Out New York, Hyperallergic, News 12 Brooklyn, and DNAInfo. In addition to organizing eleven major exhibitions to date at the Old Stone House, Katherine has curated for FIGMENT, No Longer Empty, St. Francis College, and Brooklyn Historical Society, and was the 2016 NARS Foundation emerging curator.  She was selected for the 2015 Independent Curators International (ICI) Curatorial Intensive in New Orleans. Katherine has written and presented on public and community art issues for Createquity, Americans for the Arts, and Public Art Dialogue, among others. Katherine also served as Programs Manager at Smack Mellon Gallery from 2010-2014, and has worked and consulted for diverse nonprofits.

Regeneration in Place is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and the New York City Department of Cultural Affairs

Presence (Spring 2020)

The Artwork of Alicia Grullón

Presence is an exhibition curated by Katherine Gressel which explores the evolution of artist Alicia Grullón’s socially-engaged work over 15+ years.

Grullón describes her performances, both live or for photography or video, as “critiques of the politics of presence – an argument for the inclusion of disenfranchised communities in political and social spheres.” By inserting her own body in spaces “that have historically not been meant for [her] or designed so [she has] little control over how [she is] represented in them,” Grullón aims to disrupt mainstream historical and cultural narratives.  This includes collecting and performing the stories of individuals whose voices might otherwise be absent. Her interventions have included public spaces, cultural and academic institutions, the dominant history of the United States, government policy, environmentalism, feminism, the United Nations, and the mass media.

In the tradition of deconstructionist philosophy, Grullón’s work challenges traditional binaries between past and present, and presence and its typical opposite, “absence.” In her photographs, “what is alluded to within the frame is largely informed by what is not in the frame.”  In addition to evoking missing narratives from past, current, and future events, the work selected for this exhibition focuses on Grullón’s use of costumes, props and other methods of obscuring her own identity (leading to the absence of a uniform artist figure throughout the work), sometimes to augment the voices of others. In her essay “The Missing Body: Performance in the Absence of the Artist” Cindy Baker argues that through this type of physical obfuscation, “risk, transgression, and a false illusion of distance are taken on by both artist and audience member, expanding a capacity for intimacy between artist/art and audience that few artworks can.” Through inhabiting a world of her own creation, Grullon also subverts a traditional European, male gaze.

In keeping with OSH’s mission to make local history relevant, Presence is comprised mainly of works rooted in Grullón’s native New York City and that address such topics as gentrification, immigration and community preservation. Several works on view were  inspired by OSH itself and its Dutch Colonial and Revolutionary War past.

Presence is the first in a series of four 2020 OSH exhibitions exploring how contemporary artists encourage participation and civic engagement.

About the Artist:

Alicia Grullón’s work has been shown at the Bronx Museum of the Arts, El Museo del Barrio, Columbia University’s Wallach Art Gallery, BRIC Arts, Spring/Break Art Show, and Performa 11, among others. Grullón is also a contributing author to Rhetoric, Social Value and the Arts: But How Does it Work?, ed. Nicola Mann and Charlotte Bonham-Carter (Palgrave Macmillan, London) and Bridging Communities Through Socially Engaged Art, ed. Alice Wexler and Vida Sabbaghi (Routledge, New York). Grullón is an Artist in Residence at The Hemispheric Institute of Performance And Politics at New York University. Other Recent activities include the Shandaken Project inaugural artist residency on Governors Island and the Bronx Museum of the Arts AIM Alum program at 80 White Street. Grullón is the recipient of the inaugural Colene Brown Art Prize for 2019. Grullón is an adjunct professor at The School of Visual Arts and City University of New York (CUNY). She is from and based in New York City.

About the Curator:

Katherine Gressel, the Old Stone House & Washington Park’s Contemporary Art Curator, is a New York‐based curator, artist, and writer focused on site‐specific art. She earned her BA in art from Yale and MA in arts administration from Columbia. Katherine’s previous exhibits dealing with such topics as income inequality, urban agriculture, and parks have been recognized by the New York Times, Time Out New York, Hyperallergic, News 12 Brooklyn, and DNAInfo. In addition to organizing eleven major exhibitions to date at the Old Stone House, Katherine has curated for FIGMENT, No Longer Empty, St. Francis College, and Brooklyn Historical Society, and was the 2016 NARS Foundation emerging curator.  She was selected for the 2015 Independent Curators International (ICI) Curatorial Intensive in New Orleans. Katherine has written and presented on public and community art issues for Createquity, Americans for the Arts, and Public Art Dialogue, among others. Katherine also served as Programs Manager at Smack Mellon Gallery from 2010-2014, and has worked and consulted for diverse nonprofits.

Presence is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and the New York City Department of Cultural Affairs

Images: Tahir Carl Karmali and Justin Sterling

SALLY (Winter 2019/2020)

Curated by JoAnne McFarland and Sasha Chavchavadze, SALLY was a collaborative project which brought together artists, writers, and performers intrigued by the narratives of women, like Sally Hemings, whose destinies are inextricably interwoven with those they knew, and whose lives have often been erased or forgotten.

At this critical juncture, with women’s autonomy once again under siege, another meaning of sally seems particularly relevant: a sudden charge out of a besieged place. SALLY showed how artists, through their methodologies, confront myriad issues of agency, and use community and collaboration to undercut the status quo, and construct lives of integrity and purpose.

SALLY Participants:
Lauren Frances Adams, Meredith Bergmann, Deborah Castillo, Sasha Chavchavadze, Maureen Connor, Katya Grokhovsky, Robin Holder, Jee Hwang, Tatiana Istomina, Fabiola Jean–Louis, Carole Kunstadt, Paula Lalala, Nancy Lunsford, Jennifer Mack–Watkins, JoAnne McFarland, Elizabeth Moran, Amanda Nedham, Ann Shostrom, Marisa Williamson, Philemona Williamson, Hong Chun Zhang.

No More Water (Fall 2019)

Curated by Katherine Gressel, this exhibit brought together emerging artists Tahir Carl Karmali and Justin Sterling to respond to the Old Stone House’s unique space. Both artists use reclaimed and abstracted vernacular materials––including used cell phone batteries and broken windows––to symbolize local and global policies that contribute to inequality and displacement. The title “No More Water” also implies our current climate emergency (characterized by increased floods, wildfires, and water contamination) and an urgent call for action.

The artists chose “No More Water” to reference James Baldwin’s 1963 publication “The Fire Next Time,” which begins and ends with the line, “God gave Noah the rainbow sign, No more water, the fire next time!”, quoting the spiritual “Mary Don’t you Weep” and alluding to the Old Testament story of God flooding a corrupt earth. “The Fire Next Time” is considered a galvanizing text for the American Civil Rights movement in its examination of racial injustice and its call for all people of “consciousness” to “change the history of the world.”

Funding for No More Water  is made possible, in part, by the Puffin Foundation and the New York City Department of Cultural Affairs.

Race and Revolution:  Reimagining Monuments (Spring 2019)

Race and Revolution: Reimagining Monuments, curated by Katie Fuller, questioned the relationship between historical memory and historical monuments and the implications of the histories that remain absent. Through drawings, quilts, interactive sculptural pieces, public art and paintings artists Kimberly Becoat, Alex Callender, Maureen Connor/Institute for Wishful Thinking, DARN Studio, Damien Davis, Rose Desiano, Ayasha Guerin, Zaq Landsberg, Jennifer Mack Watkins, Maureen McNeill, Lyra Monteiro, Sal Muñoz, Marilyn Nance, Emmaline Payette, Chip Thomas and Kamau Ware were concerned less with erecting massive symbols that define a limited perspective than they were in creating inclusive, dimensional histories. Their works addressed the often debated controversies around such figures as Christopher Columbus, George Washington and J. Marion Sims, and also offered insight into how collective thinking has shaped New York’s story, confronting not only what we remember and memorialize, but how.  Katie Fuller was an educator for eleven years before curating her first show, Race and Revolution: Exploring Human Injustices through Art, in the summer/fall of 2016. Her second show, Still Separate – Still Unequal, opened at Smack Mellon in summer 2017 and will finish a two-year tour at the August Wilson Cultural Center in Pittsburgh in summer 2019. She has another project titled Unbroken by Bars that addresses justice-involved women face and overcome.

Artist selection committee: Eva Maybahal Davis; Gallery and Studio Programs Manager; Smack Mellon; Katie Fuller, Independent Curator and Community Organizer; Katherine Gressel, Contemporary Curator, Old Stone House & Washington Park; Kendal Henry, Director, Percent for Art, NYC Department of Cultural Affairs.

Funding for Race & Revolution: Reimagining Monuments has been made possible, in part, by  the New York City Department of Cultural Affairs and the Puffin Foundation.

Processing (2018)


“Processing” is defined as “a series of changes taking place in a definite manner,” including the “systematic organization, treatment or preparation of materials.” The artists in Processing all manipulate art materials through intentional, systematic procedures that sometimes incorporate chance. The resulting work teeters between representation and abstraction – teasing recognizable forms out of abstract ones or abstracting recognizable elements through stripping down or layering/obscuring. Specific works were selected for the exhibition that can trace the evolution of most artists’ work processes.

Participating Artists: Jessica DalrympleJohn FiskNatalie FiskAbigail Groff HernandezKristen HaskellMelissa JohnsonSuzy KopfMary Negro

For Which it Stands (2018)

For Which it Stands offered a fresh take on the flags of the American Revolution and today, including the contradictions inherent in their symbolism. Participating Artists: Simone Bailey, Christina Barrera, Andrew Demirjian, Stephan Jahanshahi, Vandana Jain, Katarina Jerinic, Jeff Kasper & Christopher Spinozzi, Josh MacPhee & Jesse Purcell, Sal Muñoz, Iviva Olenick, Manju Shandler, Athena Soules-NYC Light Brigade

Image: Athena Soules/NYC Light Brigade by Nara Garber

Made possible, in part, by The Shelley & Donald Rubin Foundation and the New York City Department of Cultural Affairs.

Home Front (2018)

Six women artists explored public and private acts of strength and resistance by women in times of social or political upheaval— inspired by their own family and community histories as well as craft and other work traditionally associated with the home.  Featuring Lauren Frances AdamsGolnar AdiliAisha CousinsMaya JeffereisLorena Molina, Katherine Toukhy

In Search of One City explored artists’ role in investigating, navigating, and mitigating income inequality, with a focus on New York City.  Check out one of the exhibit’s public programs: Creating for Hire: Supporting a Thriving Artistic Practice through Commissions a BK Brainstorm courtesey of BRICartsmedia.

Icons In Their Own Right (2018)

Icons in their Own Right seeks to remedy historic erasure, champion cultural representation, and reinforce identity and pride.  Makeba Rainey’s artistry is heavily influenced by hip-hop culture and Black consciousness.  She carefully chooses each photograph to reflect confidence and power; then selects an African-themed design that best contextualizes each figure’s attitude, creating an exchange of multiple layers and emotions.  Co-Curated by Monica O. Montgomery, Founding Director, Museum of Impact and Katherine Gressel, Curator, Old Stone House & Washington Park.

Being Well: In Search of Utopia? (2017)

A contemporary art exhibit curated by Katherine Gressel, exploring artists’ role in defining and facilitating community health and wellness featuring work by Zoey Hart, Leslie Kerby, Anthony Heinz May, Carolyn Monastra, Shana Moulton, Carmen Papalia, Shervone Neckles, Jenna Spevack, Tattfoo Tan, and Jody Wood

Made possible with support from the Puffin Foundation, and the New York City Department of Cultural Affairs.

Multilocational (2017)

A contemporary art exhibit curated by Katherine Gressel, considering how our immigrant nation has historically accommodated multiple peoples and perspectives–and the role of artists and art institutions in presenting and preserving their stories, featuring the work of artists Cecile Chong and Natalia Nakazawa.

This program was supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with City Councilmember David Greenfield.

Domesticated (2016)

A contemporary art exhibition curated by Abby Subak Exhibiting Artists: Liza Cassidy; Paul Gagnier; Sara Jones; Tara Kopp; Susan Newmark; Abby Subak and Jessica Weiss,  challenging assumptions about gender roles and how these assumptions impact our views of ourselves and our partnerships.

Appropriating Revolution (2016)

A contemporary art exhibition curated by Katherine Gressel, featuring artists Lauren Frances Adams, Jim Costanzo [Aaron Burr Society], Gen HoweRobert Gould, Alicia Grullon, and Nsenga Knight exploring how artists are incorporating (and sometimes reinterpreting) the symbols of past revolutions to inform their current socially-engaged work.

Common Ground Gowanus (2015)

Common Ground Gowanus celebrated the creativity nurtured in the neighborhoods around the Gowanus Canal.

In Search of One City: Sensing (In)equality (2015)

In Search of One City explored artists’ role in investigating, navigating, and mitigating income inequality, with a focus on New York City.  Check out one of the exhibit’s public programs: Creating for Hire: Supporting a Thriving Artistic Practice through Commissions a BK Brainstorm courtesey of BRICartsmedia.

Gowanus Public Art Initiative (2014)

Gowanus Public Art Initiative presented several eleven-month-long public art installations in the Gowanus neighborhood.

Brooklyn Utopias: In TRANSITion (2013)

In TRANSITion (2013) brought together 19 artists and arts groups responding to differing visions of ideal urban transportation systems or proposing their own.

Brooklyn Utopias: Park Space, Play Space (2012)

Park Space, Play Space brought together 19 artists and arts groups to address the ideal design, planning and use of public parks.